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Vous avez sélectionné:
Giorgio Mainerio
Partitions à imprimer
14 partitions trouvées
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1
Schiarazula Marazula - Giorgio Mainerio - Il Primo Libro De Balli 1578
Schiarazula Marazula - Giorgio Mainerio - Il Primo Libro De Balli 1578
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Giorgio Mainerio
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Alastair Lodge
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Schiarazula Marazula - Giorgio
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1407825 Composed by Giorgio Mainerio. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 9 pages. Wold Meridian #990450. Pub...
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Level 2 - SKU: A0.1407825 Composed by Giorgio Mainerio. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 9 pages. Wold Meridian #990450. Published by Wold Meridian (A0.1407825). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Dance Masters, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=50MGijwtxp4As a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=PakODloGqe0Line 3 is featured at https://www.youtube.com/watch?v=5NWBAy-TK8MLine 4 is featured at https://www.youtube.com/watch?v=YH0DoYHXAUQ
$2.50 ≈
2.33€
Ballo Francese - Giorgio Mainerio - Il Primo Libro De Balli 1578
Ballo Francese - Giorgio Mainerio - Il Primo Libro De Balli 1578
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Giorgio Mainerio
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Alastair Lodge
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Ballo Francese - Giorgio Maine
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1407890 Composed by Giorgio Mainerio. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 9 pages. Wold Meridian #990491. Pub...
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Level 2 - SKU: A0.1407890 Composed by Giorgio Mainerio. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 9 pages. Wold Meridian #990491. Published by Wold Meridian (A0.1407890). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Dance Masters, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=kvXR6wEA2tEAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=Rs0I_VNUXxQLine 3 is featured at https://www.youtube.com/watch?v=OxtHbWdDdjcLine 4 is featured at https://www.youtube.com/watch?v=WQ95UdO79wo
$2.50 ≈
2.33€
Tedesca e Salterello - Giorgio Mainerio - Il Primo Libro De Balli 1578
Tedesca e Salterello - Giorgio Mainerio - Il Primo Libro De Balli 1578
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Giorgio Mainerio
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Alastair Lodge
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Tedesca e Salterello - Giorgio
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1382662 Composed by Giorgio Mainerio. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 9 pages. Wold Meridian #967088. Pub...
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Level 2 - SKU: A0.1382662 Composed by Giorgio Mainerio. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 9 pages. Wold Meridian #967088. Published by Wold Meridian (A0.1382662). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Dance Masters, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=rT224Kjms_QAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=j_g6vzyOjL8 Line 3 is featured at https://www.youtube.com/watch?v=taUbm_3o9j8Line 4 is featured at https://www.youtube.com/watch?v=NKaQR_3KbbU
$2.50 ≈
2.33€
Giorgio Mainerio: Ballo Furlano - string trio
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Trio à cordes
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DÉBUTANT
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Classique
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Giorgio Mainerio
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Virtualsheetmusic
Instantly printable sheet music by Giorgio Mainerio for string trio of VERY EASY skill level. Contents: Classical Music for Children, 36 Easy Pieces for String Trio / classical,children...
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Instantly printable sheet music by Giorgio Mainerio for string trio of VERY EASY skill level. Contents: Classical Music for Children, 36 Easy Pieces for String Trio / classical,children
$5.99 ≈
5.59€
Selections from Il primo libro de' balli for Clarinet Choir
Selections from Il primo libro de' balli for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Giorgio Mainerio
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Robert B
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Tedescha 2
II.
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Selections from Il primo libro
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Robert Oldroyd Music
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.941791 Composed by Giorgio Mainerio. Arranged by Robert B. Oldroyd. Concert,Contemporary,Renaissance. 64 ...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.941791 Composed by Giorgio Mainerio. Arranged by Robert B. Oldroyd. Concert,Contemporary,Renaissance. 64 pages. Robert Oldroyd Music #5770779. Published by Robert Oldroyd Music (A0.941791). This suite of five movements is from Giorgio Mainerio's Il primo libro de' balli. The Renaissance dances have been re-imagined for a clarinet choir of Eb clarinet, 3 Bb clarinets, alto clarinet, bass clarinet, Bb contrabass clarinet and percussion. This work would be a great addition to any concert. These are the movements: I. Tedescha 2II. Schiarazula Marazula
$18.00 ≈
16.80€
Old Dances from "Primo Libro de Balli"
Old Dances from "Primo Libro de Balli"
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Giorgio Mainerio
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Lionel Horncastle
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Old Dances from "Primo Li
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fleXmusic for school
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SheetMusicPlus
Level 2 - SKU: A0.1306877 Composed by Giorgio Mainerio. Arranged by Lionel Horncastle. Chamber,Children,Historic,Medieval,Renaissance. 51 pages. FleXmus...
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Level 2 - SKU: A0.1306877 Composed by Giorgio Mainerio. Arranged by Lionel Horncastle. Chamber,Children,Historic,Medieval,Renaissance. 51 pages. FleXmusic for school #896213. Published by fleXmusic for school (A0.1306877). This medley consist in 4 dances taken from the “Il Primo Libro de Balli” (1578 - Giorgio Mainerio). The Medley is presented in this FLEX 1 + 3 version (flexible format), in which there is a main line with the theme (Instrument 1) and 3 accompaniment lines (3 background lines). In addition there is a piano reduction with 3 background lines and chords and two percussion parts. This way you can play it with any school orchestra or small ensemble (duo - quartet). The piece is medium-easy to play. The difficulty of the instrument part (theme) is grade 2 while the background lines is grade 1.
$35.00 ≈
32.67€
La Parma
La Parma
Mandolin Orchestra
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Renaissance
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Giorgio Mainerio
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Rick Faulkner
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La Parma
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Seven O Six Music
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SheetMusicPlus
Composed by Giorgio Mainerio (1535-1582). Arranged by Rick Faulkner. Renaissance. Score, Set of Parts. 26 pages. Published by Seven O Six Music (S0.123799). - S...
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Composed by Giorgio Mainerio (1535-1582). Arranged by Rick Faulkner. Renaissance. Score, Set of Parts. 26 pages. Published by Seven O Six Music (S0.123799). - Score,Set of Parts - Renaissance - Seven O Six Music
$20.00 ≈
18.67€
Ballo Furlano by Giorgio Mainerio - String Trio
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Trio à cordes
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Giorgio Mainerio
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Ballo Furlano
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Musicnotes
Giorgio Mainerio - Ballo Furlano Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: String Trio;Score & Parts, instrume...
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Giorgio Mainerio - Ballo Furlano Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: String Trio;Score & Parts, instruments: Violin 1;Violin 2;Cello; 4 pages -- Renaissance~~Classical
$5.25 ≈
4.90€
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
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Anonymous, Claude Gervaise, Cl
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan ...
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Level 2 - SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 93 pages. Wold Meridian #993504. Published by Wold Meridian (A0.1411172). A selection of 44 Dance Consort pieces from publications dating from 1500 to 1620 in three, four or five part scores and fully chorded with lyricsRenaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.The 44 pieces that first appeared in the publication Chording to the Dance Masters, are presented in full score and with separate parts for each of the lines. What is more, a number of the pieces have been re-edited to include their lyrics, should you wish to perform them vocally. They represent some of the best known secular pieces of the Renaissance repertoire.What makes this Wold Meridian edition of these pieces different from others is that they have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be played with just the melody line and a simple accompaniment. It also means that keyboard players or fretted strings can join in with ensembles, giving extra sparkle to performances.Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.
$18.00 ≈
16.80€
Schiarazula Marazula & Ballo Anglese (1583)
Schiarazula Marazula & Ballo Anglese (1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Schiarazula Marazula & Bal
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Coli...
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String Ensemble - Level 2 - SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #644005. Published by Colin Kirkpatrick Publications (A0.1039005). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dance”) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Schiarazula Marazula appears towards the end of the collection and is rather a curious addition because it evokes the sound of street music rather than that of the court. However, it was an immensely popular dance during the 16th century and possibly written by Giorgio Mainerio, an Italian musician and composer. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, Schiarazula Marazula is paired with Ballo Anglese which appears near the beginning of the original publication. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.39€
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
11.20€
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
11.20€
Ballo Furlano
Ballo Furlano
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Trio à Cordes: 2 violons, violoncelle
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Giorgio Mainerio
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Ballo Furlano
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Schott Music - Digital
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SheetMusicPlus
2 violins and cello - SKU: S9.Q44876 Composed by Giorgio Mainerio. Copyright 2015 Schott Music GmbH & Co. KG, Mainz. Downloadable. 4 pages. Schott Music...
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2 violins and cello - SKU: S9.Q44876 Composed by Giorgio Mainerio. Copyright 2015 Schott Music GmbH & Co. KG, Mainz. Downloadable. 4 pages. Schott Music - Digital #Q44876. Published by Schott Music - Digital (S9.Q44876). Digital publication of the piece found in the following print music collection: Classical Music for Children - 36 Easy Pieces for String Trio.
$3.99 ≈
3.72€
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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Instruments en Do
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FACILE
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Renaissance
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Various
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
C Instrument - Level 2 - By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael...
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C Instrument - Level 2 - By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or ?choirs? of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.
Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.
I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.
At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at
https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS
As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the ?standards? that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46 ≈
10.70€
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Giorgio Mainerio
